‘As long as I can remember I have the passion to create and organise theatre in which movement plays a major role’.
As a creator of theatrical performances, Moos has a personal and unique style. Away from the traditional theatre, with strong roots in dance. Her performances move on the cutting edge of dance and theatre. Movement, in Moos’ work, is therefore never separated from its underlying reasons, the emotional incentives. The authenticity of the players, the real and the epic, that is what Moos seeks in her work. Usually, she organises a collaboration between professional dancers, actors and amateur players in her performances.
Central in her method of working are improvisations of the performers on the floor and how they relate to the themes which are used in the pieceMoos searches for the physical embodiment of these ‘underlying reasons’. The unconscious communication between people in particular.
She directed theatre with communities of people who have things in common, like farming communities, soccer players, jockeys, gypsies or martial art performers. Each project is about the encounter of different worlds that can coexist and reinforce each other.
Passion and direct communication with the audience are important for Moos to achieve. In the performances the experience is paramount, it moves, stimulates and touches the audience in an unexpected way. The body speaks its own language and addresses the viewer’s senses.